| Marilynne Robinson on The Bible The New York Review is pleased to announce two new seminars on the Bible, hosted by contributor and Pulitzer Prize–winning author, Marilynne Robinson. Her first series on the Old Testament begins on March 2, and her second series on the New Testament starts on May 6. The course as a whole is intended to draw attention to the fact that the Scriptures are, whatever else, a very great literature. Considering their importance to Western Civilization, it is remarkable how vulnerable they are now to misuse and ridicule. Over centuries writers returned to these texts, confident of finding a high order of meaning in them, as great writers have done for centuries after the canon was closed. This is far too extraordinary a phenomenon to be left to cynical use or to neglect. Marilynne Robinson on The Old Testament Each week will focus on a theme or book from the Old Testament: Creation, Law, Psalms, and Prophecy. Four one-hour sessions: March 2, 9, 16, and 23. All sessions will start at 7 PM EST. Marilynne Robinson on The New Testament Each week will focus on a book from the New Testament: Luke, Acts, First Corinthians, and John. Four one-hour sessions: May 6, 13, 20, and 27. All sessions will start at 7 PM EST. Also Still AvailableDaniel Mendelsohn finishes his “Drama Queens” seminars with a four-part series on twentieth-century theater, starting on January 28. “Drama Queens” The final installment of our “Drama Queens” seminar will examine four masterpieces of American theater, each of which showcases one or more unforgettable heroines: the recovering morphine addict Mary Tyrone in Eugene O’Neill’s A Long Day’s Journey into Night; the faded Southern belle Amanda Wingfield in Tennessee Williams’ The Glass Menagerie; the delusional yet noble Blanche DuBois of Williams’ A Streetcar Named Desire; and the harrowingly damaged protagonist of Edward Albee’s Who’s Afraid of Virginia Woolf? These plays suggests that well into the 20th century, the archetypes established by the Greeks continued to be useful for male playwrights; the question that confronts us, as we end our series, is why? Four one-hour sessions: January 28, February 4, 11, and 18. All sessions will start at 7 PM EST. You are receiving this message because you signed up |
jueves, 15 de enero de 2026
Marilynne Robinson on the Bible
Suscribirse a:
Enviar comentarios (Atom)
Archivo del blog
-
▼
2026
(72)
-
▼
enero
(31)
- Fintan O’Toole in Conversation with Alma Guillermo...
- Sparkle and Status
- Fintan O’Toole on the Murders in Minneapolis
- A Chicken in Every Pot
- Last Chance: Daniel Mendelsohn on Twentieth-Centur...
- Gertrude Awakening
- The Politics of Raw Power
- Mourning Constitutional
- Boletín Revista Española de Electrónica nº: 02/2026
- Daniel Mendelsohn on Twentieth-Century Theater
- Neigh!
- Alma Guillermoprieto on Trump’s Madness in Venezuela
- Potencie sus diseños con las últimas soluciones de...
- Grave Matters
- In the Despot Archives
- Marilynne Robinson on the Bible
- Venezuela in Limbo
- Electrónica OLFER: Componentes Electrónicos de Alt...
- Blackout in Iran
- Boletín Revista Española de Electrónica nº: 01/2026
- Last chance: Get Michel Tournier’s ‘Friday’ with t...
- Edwin Frank on Amit Chaudhuri
- Community Poetry
- Mamdani’s New York
- Módulos convertidores CC-CC, reguladores aislados ...
- ‘Like a Nightingale with a Toothache’
- Daniel Mendelsohn on Opera: Last Chance to Register
- No War for Oil
- Policies of Denial
- Daniel Mendelsohn on Opera Starts Next Week
- The Dawn of the Mamdani Era
-
▼
enero
(31)
-
►
2025
(298)
- ► septiembre (42)
-
►
2024
(115)
- ► septiembre (13)




No hay comentarios:
Publicar un comentario