Plus: Bi Gan; Shirley Jackson
| Today in The New York Review of Books: Rebecca Egan McCarthy plumbs oceanic law; Gabriel Winslow-Yost watches Bi Gan’s Resurrection; and, from the archives, Joyce Carol Oates on Shirley Jackson. With the Trump administration’s backing, an emerging industry could start mining minerals from the bottom of the sea—and risk turning the ocean into a free-for-all. If the movies are dead, why does Bi Gan’s Resurrection feel so alive? Free from the ArchivesShirley Jackson was born 109 years ago today. In the Review’s October 8, 2009, issue, Joyce Carol Oates wrote about her 1962 “masterpiece of Gothic suspense,” We Have Always Lived in the Castle. Narrated by “Merricat,” an eighteen-year-old girl who is “at once feral child, sulky adolescent, and Cassandra-like seer,” in Oates’s estimation Jackson’s “tale of sexual repression and rhapsodic vengeance” passes beyond social satire and simple horror to become a “psychopathological caricature” worthy of Henry James. “The hideous arsenic deaths constitute the secret heart of Shirley Jackson’s We Have Always Lived in the Castle, as unspecified sexual acts appear to be at the heart of The Turn of the Screw: the taboo yet irresistible subject upon which all thinking, all speech, all actions turn.” “Patricia Lockwood is a writer’s writer, and Will There Ever Be Another You is a bookish book, a magnificent feat of reading.… She considers Robert Graves, quotes Wordsworth, who visited the same spot in Scotland where she fell ill, jokes that William Carlos Williams had a son named Kevin, and reads Kafka’s journals. The Bible is her touchstone, lending her prose its prophetic cadences.” “In amassing more things than they could reasonably use, ethnologists denied other people in other places access to meanings, histories, experiences, and ‘knowledge production’ of their own.” Special Offer
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